well, to begin with, very few authors have background in music like mitch albom (or else they would have become musicians, would they) so i can confidently say that this is the first book that i feel strongly related to. mitch adopted a back-and-forth POV (i dont exactly know how to put this), he first revealed that frankie is dead and then slowly going backwards while at the same time, revealing his childhood from the day he was born. what makes this book really intriguing is that mitch actually personify Music (yes it sounds amazing) as our narrator. frankie took a large part of Him when he was still a baby, thus what kinda makes him a prodigy.
i won't spoil the rest of the plot here. this spell-binding book was hard to put down, but i forced myself to stop reading it halfway simply because i have 6 hours of journey on train next week to spare.
but i'll write down some of the most beautiful quotes from the book about music (mainly from frankie's guitar teacher, le Maestro)
1. All humans are musical. Why else would the Lord gives you a beating heart?
This is the most moving quote that got me instantly hooked from the 2nd page. I keep on asking myself this question, and it actually boils down to a more serious matters like whether classical music is here to stay (I KNOW IM GOING OFFTRACK but pls bear with me). im appalled by music appreciation in teenagers and my school these days). itunes chart changes every a week or so, as often as women changing their wardrobe clothes. isn't music a form of art? why is it that it sounds more like fad than art these days? i strongly feel classical music is dying and under-appreciated. you know everytime i listen to a piece i would imagine colours and waves flying around. they have emotions and story; there is something i cant describe about them. its trying to tell us something, but every person will understand it differently. my interpretation can differ each time i listen to it again, its how magical those orchestral pieces to me are. so disappointed to let them rotting and replaced by some house music.
2. You cannot write if you do not read,” the blind man said. “You cannot eat if you do not chew. And you cannot play if you do not”—he grabbed for the boy’s hand—“listen.
sadly, teachers these days hardly inspire their students. they spoon-feed us with information, thinking that we would actually retain them voluntarily. maybe we do, but our brain doesnt. you see, since i was young, i didnt know what it SOUNDS like to be a good violinist. my teachers would tell me to do this, to practice harder, to play that. but i never really understood what i wanted to achieve. if theres no example given, why would you think i want to invest my energy and time on sth that i do not enjoy? i think this is also applicable to all fields of learning experience. only after listening to Maestro playing for 1 year, then frankie was allowed to learn how to play guitar. i really think that this is the future of learning experience. students must have that spark and willingness to learn before they dive into that subject deeper.
3.You humans are always locking each other away. Cells. Dungeons. Some of your earliest jails were sewers, where men sloshed in their own waste. No other creature has this arrogance—to confine its own. Could you imagine a bird imprisoning another bird? A horse jailing a horse?
i didnt realize that WE are the only species who kill one another. name me one animal that murders their own kind. have you lost your faith in humanity?
4. Do not cry for losing blood. Not for something you love.
frankie hurt his fingers as he practised his guitar. sacrifices must be made to achieve great things. muscle sore and neck pain from intense violin practise. feeling stressed out and missing that movie to study for exams. forgoing fried food and your favourite dessert as a part of your diet. without perseverance on doing these things, to keep trying although it hurts like mad, is a part-and-parcel of reaching greater heights.
5. But all love stories are symphonies. And, like symphonies, they have four movements.
- Allegro a quick and spirited opening
- Adagio a slow turn
- Minuet/Scherzo short steps in 3/4 time
- Rondo, a repeating theme, interrupted by various passages.
all musicians would think that this part is self-explanatory. beautifully written.
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